Wednesday, 4 December 2013

Use of flashbacks in thriller film

Flashbacks can be used in films to show the past of the character, show the "inner person" of the character through the jobs and the activities they do (shown in the flashback) and how is makes them who they are.  Flashbacks can also show what is bothering the character, making the flashback seem as what he thinks/experiences in his mind. 


Another way Flashbacks are used is to show a compilation of the same event to represent it's legacy through out the film.  An example of this is in Saw 6.  Saw 6 is not classified as a thriller film in most cases, but yet uses a good use and technique of flashbacks.  The flashback used in Saw 6 shows the legacy of the catchphrase "Game over" which is used by a range of characters through out the series of films.  The use of this shows the way the role of insanity originally carried by Jigsaw (Tobin Bell) has been passed down to the survivors of the game and that they are the new villains of the film. 
 
The film also keeps referring back to other parts of the film to show how the traps were made and who was actually behind the makng of them, using the flashbacks to twist the audiences beliefs and the story of the film. 


Flashbacks can also be used to continue a story and/or give a overview of what happened in the last episode/movie.  Another reason that flashbacks are possibly used in thriller films in the way that events in the past 'made' the character be the way they are now, how the events influenced them to be/do something to someone/something else because of that event in the past.  

For example: - In "The Butterfly Effect", Logan (Ashton Kutcher) has constant flashbacks of his childhood and early adult hood memories and tries to change them to change the way he is, along with the future to try and bring back the people he loves.

(The Butterfly Effect Trailer (with flashbacks in)

Tuesday, 3 December 2013

Thriller planning shot list

Shot 1: -
  • Characters - Michael (Connor)
  • Location - Dark alleyway
  • Camera angles - Tilted and low angle shots
  • Lighting - Non ambient, chiaroscuro and noir
  • Camera movement - Tracking and pan
Shot 2: -
  • Characters - Michael, Mason (Tom) and Jess
  • Location - exit of the alley way and entrance to Castle Mall
  • Camera angles - Medium close up and over the shoulder
  • Lighting - Non ambient
  • Camera movements - Pan
Shot 3: -
  • Characters - Michael, Mason and Jess
  • Location - Castle Mall
  • Camera angles - Low angle, medium close up and over the shoulder
  • Lighting - Non ambient
  • Camera movements - Pan
Shot 4: -
  • Characters - Michael, Mason and Jess
  • Location - Castle Mall elevators 
  • Camera angles - Close up, over the shoulder and low angle
  • Lighting - Non ambient
  • Camera movements - Pan and tracking
Shot 5: -  (cliff hanger scene): -
  • Characters - Michael, Mason and Jess
  • Location - Castle Mall - elevators, top floor (floor 5)
  • Camera angles - Close up, tilt, over the shoulder
  • Lighting - Non ambient
  • Camera movements- Pan

Friday, 29 November 2013


Thriller plan shot list


Shots
Characters
Location
Camera
Angles
Lighting
Camera
Movement
Shot 1
Michael (Connor)
Dark Alleyway
Tilted and low angle
Non ambient, Chiaroscuro and noir
Tracking
Shot 2
Michael (Connor)
Mason (Tom) and Jess
Alleyway (the entrance) and the entrance of Castle Mall
Over the shoulder, medium close up
Non ambient, noir
Tracking
Shot 3
Michael (Connor)
Mason (Tom) + Jess
Castle Mall
Low angle, medium close up, over the shoulder
Non ambient
Panning shot
Shot 4
Michael (Connor)
Mason (Tom) + Jess
Castle Mall - Elevators
Over the shoulder
Low angle
Close up
Non ambient
Tracking and Pan
Shot 5 (cliff hanger)
Michael (Connor)  
Mason (Tom) + Jess
Castle Mall – Elevators, top floor
Close up
Tilt
Over the shoulder
Non ambient
Pan
Medium close up zoom



Essex Boys - How it establishes the genre

Tuesday, 12 November 2013

Thriller planning and ideas

Characters:

Connor Pink - Role: Killer, Character name: Michael
Tom Cutmore - Role: Main victim, Character name: - Mason
Rajumnd Kis - Szabo - Role: Victim who is featured at the start of the film, Character name: Jeffery

Character features/profiles

Michael - played by Connor Pink - Twitchy and jealous charismatic killer
Mason - played by Tom Cutmore - Casual, happy but yet paranoid of what is around him
Jeffery - played by Rajmund Kis- Szabo - (As when alive) - Friendly but cautious to who he meets

Locations (possible)

-Bridge near Wairose
-Old loading Dock at Anglia Square
-CNS - Use of lifts

Plot

Hitman Michael (Connor) is jealous of Mason (Tom) and his girlfriend, and becomes more and more possessed by the idea of Mason being with his girlfriend and not him.  After his first killing of Jeffery (Rajmund), he gets startled by the blood all over his hands, which he sees as Mason's and with this, he begins to slowly turn more and more psychotic about the idea, and starts to constantly rub his hands together as if he was still washing the blood off of them and keeps having flashbacks and looking at photos of the couple together that he took.  This then drives him over the edge and then sets out to find Mason.  He eventually does find him in CNS and starts to follow him on the way to meet his girlfriend.  In the final scene, Mason enters the lift and presses the third floor, and as the doors start to close and almost reached shutting, Michael manages to stop the doors and gets in, pressing the second floor button, and then standing behind Mason.  When the doors close, Michael makes his attack, stabbing Mason and then leaving him on the floor to bleed and die.  The lift then stops on the second floor and Michael gets out, leaving Mason dead in the lift to go to the third floor.  When it reaches the third floor where Mason's girlfriend is waiting, the doors open and she sees Mason dead on the floor looking back up at her, she then screams/panics and then the film ends on a cliff - hanger

Objects and Props used

Toy knife
Baseball bat
(Possibly a Zippo lighter)

Costumes

Michael (Connor) - Military coat and hat
Jeffery (Rajmund) - Full black; - Jeans, hoodie or top and shoes
Mason (Tom) - Everyday casual wear; - Jeans, casual top and a hoodie

Shot list
  • Over the shoulder
  • Close up + extreme close up
  • Panning shot
  • Tracking shot
  • Tilt shot
  • Low angle shot
  • Worm's eye
  • Bird's eye
  • Medium zoom shot
Lighting techniques
  • Chiaroscuro lighting
  • Ambient and non ambient

Tuesday, 5 November 2013

Thriller Prop research

The common props used in Thriller movies: -

Most props are used to create suspense, pain or to represent something of the character.

These props are: -

  • Weapons - Knives, guns, hardware tools such as screwdrivers, axes etc, - These props are used to create violence in the thriller that can lead to suspense or tension.  It could also create a sense of danger which could also increase the tension.  It could also causes a sense of worry or sympathy as the audience become anxious of the life of the victim(s)



  • Supplies - These come under blind folds, ropes, chains and tape, - These props are mostly used to create a tension/suspense atmosphere, but also create an atmosphere of captivity, which could then make the audience feel sympathetic for the victims.


  • Masks - Masks are used to create a grotesque or twisted image about the character, or to hide the character's emotions.  The use of masks also creates an enigma to the film when there is an event and the audience doesn't know who did it because they can't see the full face, which then causes them to guess who is the villan and then makes the film more exciting.


  • Machinery/inventions - The use of machinery and inventions play the same part as weapons as they are there to create tension and suspense.  It could also create a trademark for a character - i.e. The Chainsaw in The Texas Chainsaw Massacre was Leatherface's. 


  • Electronics, chairs, coffins and tables - These props help in thriller films through many aspects.  These could be aspects such as playing part of a characters life, for example a villan's - i.e. in 'One Hour Photo' - The camera played a big part in Sy's character as it was his only method of stalking the family.  Other props such as coffins, tables and chairs could mean something to a character or represent a certain danger/seriousness of the situation.

Wednesday, 23 October 2013

Techniques to include in a thriller

The best techniques to include in a thriller are the ones to raise suspense

Camera techniques: -
  • Worms eye view - To show fear or dominance of a character
  • Close ups/extreme close ups - To show the real expression of the character, and/or to raise tension.  The technique could also be used on hands on door handles or reaching out for someone/thing
  • Over the shoulder - Allows the audience to "be" with the character, - increases suspence as they are also in the characters position.
  • Long shot - Shows the character in it's surroundings, could be used to increase the suspense to try and make the audience feel cautious of what is going to happen to them.
  • Use of Threes - To make the audience cautious of what is around them while having the main focus on the main character. 
Lighting techniques -
  • Chiaroscuro lighting - To bring uneasieness or a 'unrealistic'/'dream-like' personality to the character.
  • Lack of light - To bring about tension or to create an eerie atmosphere.
  • Noir lighting (possibly) - To contribute to the lack of lighting and the chiaroscuro lighting to being about tension and suspense.
  • Selective lighitng - The use of light being used in certain places to symbolise an importance of something/someone i.e. the one light shinning over a camera on a table in a dark room, may bring about realization/confusion or bring about tension why that camera is there.
Objects that could be used -
  • Cameras - The old fashion or digital
  • Rope
  • Knives (fake - plastic)
  • Guns (fake - bb)
 
(The Camera Robin Williams - "Sy" uses in 'One Hour Photo')

Thriller planning - What makes a good thriller? - Case study: 'Once Upon a time in America'

Thriller Planning – What makes a good thriller? - Case study: ‘Once Upon a time in America’


Director: Sergio Leone

 The date the film is set – 1930’s America – Mob and Gangster period

 The opening part of the film is set just before the event of the ban of prohibition (which the Gangster group took over.)

 
How the director introduces the genre: –

 
Sound – sound bridge: - The sound adapts the next scene, for example from the film; - His phone rings and this then moves to the next scene with the continuum of the phone ringing, symbolising a flashback/dream of what the phone ring made him see.

 
Diegetic and Non – Diegetic sound
 
  • Diegetic sound – The sound the actors hear.
  •  Non – diegetic sound – Sound that has been added during the edit.

 
Lighting – A lot of dark areas in scenes, Chiaroscuro lighting – dark areas with selective interest of lighting.

 
Camera techniques: -

 ·        Close ups and extreme close ups
·         Zooms
·         Panning shots
·         Use of threes
·         Tracking shots
·         Low angle shots
·         Worms eye tilt shot
·         High angle shots
·         Tilt shots

 How the director establishes the genre of the film: -

 
·         Lighting – Mostly Ambient and Noir lighting – Black and white lighting.  He also uses Chiaroscuro lighting to give an unrealistic or dreamy atmosphere.

·         Locations – Apartment blocks, bars, lifts and alleyways.  He uses this to create an atmosphere of “being trapped” or the claustrophobic feeling.

·         Character types – Gangster type character – Big, bold, strong and scary.  He has a ‘Femme Fatale’ who seems innocent but is actually dangerous.  The name of the Femme Fatale is Eve – symbolically meaning of ‘evil’ or ‘devious’.

·         Costumes – Gangster and the police outfits are very similar as they both wear the classic 1930’s American suits, top hats and waistcoats.  This would represent corruption in the two sides as gangsters would sometimes work with the police in the jobs.

·         Props – Hats, guns, other equipment such as a punch bag.

·         Objects – Guns – used to bring action and tension

·         Suspense – Mostly created through sudden, tense or unexpected moments happening when least expected.  Also slow, silent parts of the film; - for example in the film where they are in the bar, Noodles presses the button to call the lift, as the lift is coming down, it attracts the police officers attention (who is working with the gangsters), he then moves to the door to cover him for anyone who comes out of the lift.  The lift then stops, causing him to relax, but is then shot in the head by Noodles who appears behind him. 

·         Action – The main action used in the film is the idea of Murder.

·         He also uses music – the song played – ‘God Bless America’ is supposed to represent America as a peaceful and social country, but in the film it is as an ironic feature as in the film it is very much the opposite as  there are drugs and violence/murder.

·         He also uses hidden/small features on the characters, for example – At the start, Eve enters her apartment and it is basically pitch black as there are no lights on, she then walks into the light, which automatically shows up the pearls that she is wearing, which represent bad luck, making the audience feel cautious that something is bad that is going to happen.


The stereotypical gangster costume established in the film -  
 
 

Friday, 18 October 2013

Preliminary task shot list and story line

The main story: -

Tom borrows money from Connor but fails to pay him on the day he is suppose to, but as well as Tom borrowing money, Connor has also borrowed money from Rajmund, which he gave to Tom, and Rajmund wants his money back as well.

Locations used: -

1. The doorway to the hall
2. Hallway
3. The editing room

Themes used in the conversation: - anger, threat, nervousness, confussion, anxiety

How is it dramatic? - The cliffhanging threat issued to Tom by Connor about Tom paying for Connors' health insurance and how Tom then asks to himself about him paying Connors insurance, and then it fading to black.

Shot list: -

1. Pan of the school area + pan of Tom running through the doors into the hall
2. Tracking shot of Tom running past the camera
3. Birds eye view of Tom running down the hall
4. Worm's eye view of Tom running past the camera
5. Over the shoulder shot of Tom walking towards the room
6. Close up zoom of his hand trying to open the door
7. Use of Threes to show Tom walking away and the door opening behind him
8. Medium zoom of Tom walking through the door to Connor
9. (main conversation) - Shot reverse shot between Tom and Connor - Tilted camera on Toms' lines
10. (sudden action) Close up zoom when Connor gives the dramatic speech and leaves
11. Close up zoom on Tom as he gives the final speech to himself, then fades to black.

Thursday, 17 October 2013

TV program- 'Silent Witness' thriller analysis

Thriller text analysis no.4 - 'Silent Witness'

Silent Witness is a British crime drama/thriller series which first started showing on the 21st of Febuary 1996.  It has been viewed across Europe as well as it has been viewed in Denmark, Sweden, UK, Far East and Latin America.   The series was created by Nigel McCrery a former murder squad detective in Nottingham.  There was a total of 332 episodes from 1996 - 2012. 


This TV series used a great range of thriller techniques as it tried to include and build up suspsense in audience to try and make them almost be urgent to find who the criminal is.  The series used a great range of techniques and story lines to build up tension through out episodes.  One of the techniques the mostly used was the 'use of threes' technique, for example -

 
The technique used keeps the audience seeing everything around them, but still holding their attention to the main character.  In this scene, William Gaminara - Professor Leo Dalton, is trying to think about the case of the murder (pictured behind him), and the 'use of threes' shows that he is thinking about just that aspect, and almost 'blocking' everything else out around him.  The image behind Leo also supplies a 'chilling' aspect of the murder as it is almost watching him while the technique(use of threes) is happening. 
 
Silent Witness also uses a lot extreme and normal close ups.  This is to show and create suspense as it shows the true and possibly hidden emotion in a character.  An example of this would be from the episode 'Redhill' where the police officer is at the scene and he almost suddenly shows evil by the way he looks, the amount of lighting and also the use of the close up, -



 
More examples of close ups used in the show: -
 
 
 
These close ups show/may show how desperate a character is, for example - the first picture, Dr Harry Cunningham (played by Tom Ward) is against time to try and get hold of the rest of the team as he is looking at his watch and on the phone at the same time.  He also shows a desperate look as if he is worried that what has happened to him/the people in the area.  The second picture, shows Dr Nikki Aexander (played by Emilia Fox) as an "important" character as there is light shining down on her, the camera is basically only focusing on her, and bluring everything else around her.  This may show that she knows something which would help the investigation, or that something has happened and she is curious as almost all of her face is in the shadow, and only part of her face is in the light, which may also possibly show anxiousness.
 
Ratings and Reviews of Silent Witness:
 
Many users on IMDb gave it an overall rating of 7.4/10 with very positive comments, such as; - 'amazing show' and 'Great British drama'.  These reviews have also been coming from different countries, such as Canada, Australia and from the Netherlands.  However, some reviews are negative as some people think that the show has started to 'sink' and it has gotten old.  Personally, I think the show was very good as it built up tension in every episode and it gave a good "thrill" and insight to what they do and how crimes are solved.  I do however think that it has been going for too long and they may have reached a dead end to where they will need to start thinking of stopping as it is starting to fade out and the crimes are getting a bit repetitive and unnecessary. 
 
In the Guradian, reviewer John Grace reviewed the program in both positive and negative ways as he thought that the new series of the program led to new cases and better 'whodunnit' moments, but yet he thinks that there are some rather 'disconcerting' moments as he says - "To find him gunned down by police on his own doorstep inside 30 minutes after threatening to go berserk with a shotgun was truly disconcerting."  John also gives positive comments to the characters, for example with Nikki, he says that "Also impressive was Nikki's mental disintegration: not the usual over-the-top, unconvincing, hysterical affair you tend to get in TV drama, but a gradual loosening of the fingernails as they try to cling ever tighter to reality."  This shows that they have improved on the characters to present more of a 'picture' about them and it allows the audiences to get to know the characters more.  I agree with most of Johns' review as I find it does make a good 'whodunnit' night and the moments are very well planned out for them.  However I also agree with what he says about the "disconcerting moments" as many of the crimes may represent a realistic view on what really happens in the world, but also a very graphical and 'horrific' view as well.   


Story board for Preliminary Task

Shot 1:


Shot 2:



Shot 3:



Shot 4: 



Shot 5:



Shot 6: 



Shot 7:



Shot 8: 



Shot 9:



Shot 10: 



Shot 11: 



Shot 12: 



Evaluation of Preliminary

Question 1 - What planning did you do for your filming task?  And how did this planning aid the filming? - 

I planned my preliminary task through storyboards, shot lists, clothing lines and keeping the dramatic part of the scene the same.  Using the storyboards helped us with the filming as it enabled us to remember where we left off, what we still need to do and also it gave us an idea of how the story would turn out.  This improved the filming as it made it easier to do.  Shot lists and clothing lines helped us with the filming as it kept us organised with what we were doing.  When we followed the clothing line and shot list, hardly any shots were repeated because we stuck to the lists, making it easier to complete the task and put it all together, while using a range of different shots.  The final part of out planning was to keep the dramatic ending the same.  This would help our filming as it would fit in with the story line and would also make us keep the same story line and not change, but improve it, as it would take too long if we had to change everything.

Question 2 - What is the 180 degree rule? And how is this rule important in the filming task? -

The 180 degree rule is used where there is a shot reverse shot conversation or a when filming two objects in the same room.  The rule is important in filming because if the rule is broken and the camera passes the 180 degree line between the two characters, the audience then becomes disorientated, making it seem as if they have switched places.  It is important to not break the rule as you want to keep the audience weary of what is going on and not confuse them, because otherwise, it can get confusing and not make sense.

Question 3 - What shot types and camera angles did you use in your filming task, and to what effect?-

We used a range of shot types in our film, such as: - Worms' Eye, High/birds eye shot, Over the shoulder shot, close up, medium close up, extreme close up, pan and 'use of threes'.

These shots created a wide range of atmosphere and effect.Worms' eye view was to create a 'dominant' or 'fearful' atmosphere, in our film we used it to create a 'desperate' effect as the character running was in a lot of trouble and needed to get to the meeting area fast.  The bird's eye view was used to also create a similar effect of 'nervousness' but was used to make the main character look smaller and yet more vunerable.  The over the shoulder shot was used in our film to create an effect of the audience seeing that the character sees and put them in the situation.  The different ranges of close ups; - Extreme, close and medium all showed the characters emotions and brought more drama to the scenes as it builds up tension as the audience can then see the true expression in the characters face.  The pan shot was used as an opening of our film as it was used to show the area that it was held and to give an audience a view of what is in the area, and what it is like.  The final shot we used was the 'use of threes', this shot was used to spark up tension again as in the film it shows the character walking away from the door which he failed to open, the door is then opened as he walks away (and is almost out of the shot).  The character is then realises that it is not over and the tension keeps building as he enters the room to find the other character waiting for him.

Question 4 - What editing skills have you developed?  How confident are you with the editing program? -

I have developed a lot of new editing skills such as clipping films at specific moments and binding the film together from part by part.  I have also learned how to use certain effects like 'fade to black' as I have learned how it effects the film, and also how to put the effect in the right place.

I have used a range off effects to improve my media blog through adding 'meanings' and atmospheres to the film.  For example; - I used black and white for the first half of the film to provide a dream like or dramatic moment as all the colour is stripped away.  There is then a "break" in half of the film as there is a flash of light, and then leaving the rest of the video on colour.  This may show that there has been a 'burst' of reality that has just hit the character and it has become more tense as the audience  can now see the reality and all the colour, instead of black and white.  I also used dissolve transitions in the video to continue the suspense of the character running, instead of it just cutting to the next part.  I have also used dissolve to create an atmosphere of the character running forever as the scenes keep disappearing into each other, creating a effect of the character running into the next scene.  The final effect I used was slow motion, this effect was used to emphasise the action of the character, - for example; - Connor closed the door in slow motion at the end, which was dramatic, and it also slowed down time for the audiences viewing so that they can take it in. 

I am very confident with the editing program as it becomes easy with the basic tools such as the 'razor' tool (which cuts film clips at the parts you want).  I have also built up confidence in the program when binding films together, clip by clip as you have to spend time and concentrate on it, which in the end gets easier with practice as you have two playing screens to help you find the specific moment. 

The areas I would need to improve on however with my confidence is to get the right effects in the right parts of the film. 

Saturday, 12 October 2013

'Fast And Furious 6' thriller analysis

Thriller text analysis no. 3 - 'Fast and Furious 6'

Fast and Furious 6 was released on the 17th of May, 2013.  The film spent a budget of $160,000,000, but reached a grossing of $238,673,370 from it's first screening on the 30th of August 2013.  The film is directed by Justin Lin.  The film's storyline continues from the 5th after a successful heist of $100,000,000.  The crew then get a shock report of a criminal who leads a gang of mercenary drivers across 12 countries.  They have to work with elite forces who tried to take them down in the 5th film.  The crew battle against an old friend who was part of their team who was thought to be killed in the 4th film.  The member (Letty) actually survived the car explosion due to purpose misfire but then lost her memory and was then 'adopted' by the gang leader, Shaw, an ex - SAS officer (played by Luke Evans), who then used her disability against her to join his gang.  The team and the elite forces have to team up to bring back Letty, and take down Shaw before he escapes. 

 

The film is a good thriller as the team and the elite forces have to fight through and against Shaw's team to eventually get to him.  The film leads on as the team fail to catch Shaw due to their cars, technology and tactics.  The team also fight and plan to get better cars to catch Shaw in the end. 

The techniques the film uses that make it a good thriller is to keep the story going.  There are moments in the film where people think the film is going to end because they may have gotten extremely close or actually caught Shaw, but then an event lets him get away.  In this film, Shaw tells Dom (Vin Diesel) That he "Can reach out and break him whenever he wants", and that he tells him that he better leave or his family is involved.  The audience then 'forgets' Shaw tells Dom this and near the end where they do capture him, Shaw then reminds Dom that he is stronger and yet he "can reach out and break him", which then automatically alerts the audience about Dom's family, which then shows the audience that Shaw's team kidnaps  Brian's family, - his wife and child.  He then blackmails them to letting him go or Brian's family would be harmed.  They then did, letting him go with the rest of his crew.  This then leads on to the 'real end' as they then race to stop Shaw and his crew escaping on a plane holding illegal stash, which is fast paced and action packed, keeping the audience on the edge of their seats.  The film finally ends as they kill Shaw, but also lose team members, who played a part in the earlier series, (for example - Gisele, played by Gal Gadot). 

The way the film also provides thrill by the fast paced car scenes and the stunts used.  This makes it fast paced and thrilling as it keeps the audience at the edge of their seats.  The use of the cars and the scenes i.e. the traffic infested cities like London and the highways in the US provide a fast paced and on the edge of the seat action because of the fast driving and the way they weave between cars and on opposite sides of the road, driving straight at oncoming traffic.

Some examples of this would be: -

1. Mersey Tunnel Chase Scene between Dom's team and Shaw's

 
2. Tank chase scene : - 


 
 
It also features breath taking moments such as Dom's leap and catches Letty : -
 
 
In the moment where Dom saves Letty uses a lot of fast heart pumping action as the lead up to the big event, there are two events happening; -  Brian is trying to push the car off the bridge to cause the tank to flip, and Shaw tells Letty as this is happening, to try and disconnect the cable from the tank.  This creates a adrenaline moment as it keeps you on the edge of your seat to what would happen to Letty if the car creates the tank to flip, which then leads up to the big moment.  The final part where Dom catches Letty, gives an almost "breath taking" moment as it happens in slow motion as they are both in the air and Dom is heading for Letty to catch her over the gap in the bridge.  When he does and as he crashes in the car taking the fall for her, it almost leaves the audience stunned by his bravery and what he did to save her.
 
Movie ratings and reviews
 
Overall, from the viewers, the film scored a 7.2 out of 10, but was yet rated 6.2/10 by metascore.  The users thought that the film was 'enjoyable' but also the 'no different' to the other films in the series.  I agree when the review was rated 'enjoyable' as there were two huge twists to the film; - 'Letty's fake death' and how Han is still alive, although he was seen to de in the explosion in 'Tokyo Drift' (the "3rd" F&F, which actually turned out to be a separate franchise to the original movie, as Han moves to Tokyo after the death of his lover in number 6).  However, I disagree where it says about it 'being the same' as it is different as in all the others, they are seen as the 'untrusted criminals', but in this they are seen as the heroes gaining respect for what they are doing, and also working with the police. 
 
The guardian also rated this film a 3/5, and said that "Silly but enjoyable, this sixth instalment of the franchise surprisingly still has fuel in the tank."  The critic who is with the guardian, Peter Bradshaw criticised it to say that - "The number 6 is not a reassuring sight, whether it's Police Academy 6: City Under Siege, three 6s on the infant Damien's scalp, or the 1990s New Labour adviser Perri 6. But despite being the sixth movie in the petrol-head franchise starring Paul Walker and Vin Diesel, this film's got a fair bit in the tank; it's silly but enjoyable."  I agree and disagree with this rating as I feel that they had improved a lot through the storyline, the unpredictable parts and also the stunts that brought the film together, however, I still felt that the film was very enjoyable with the humour and the fast-paced action in the film. 
 
 
Han's death in Tokyo Drift (orignal clip from the film): -
 
 
The ending after the credits of F&F 6, the cliff-hanger and the surprise ending.